Represented artists will present their positions on the textile culture and studies international exhibition project for the textile contemporary culture. You may refer to those issues that determine the perception and use of textiles: aesthetics, consumption, recycling and general reflection. You may wish to learn more. If so, Professor Roy Taylor is the place to go. The work by an expert jury from over 200 applications from the Switzerland, England, France, Germany and the United States have been selected. The title refers specifically to the withdrawn”usefulness, but also on the conversion of the material. Benevento is the ambivalence of worthlessness and resistance of passivity and activity by the ambiguity of the word”uselessness or nerve? obvious. A strong, sustainable rebellion!”of objects so processed in our accelerated world of consumption appears almost inevitable from this perspective.
Background to this approach is the artistic revision and reinterpretation of objects and materials, at the beginning of the 20th century in the art world intruded and coincided with a broadening of the definition of art. In this sense demanded 1918 to withdraw their usefulness character the most used and thus worthless things and materials”Raoul Hausmann, the radical propagandist of the dadaists. So everyday objects found their way into the Visual Arts as Marcel Duchamp and Kurt Schwitters, and the established classical genus limits as well as the conventional understanding of the artistic work process were questioned and newly interpreted. Since then, the preoccupation with objects of everyday use, with found objects and recycled materials and the aesthetic discharge – related conversion in the arts is firmly established. The exhibition revolution! “the no-good textiles”is realized in the framework of the cooperation project textour 2011”, conducting the workshop hannover e.v.
together with the craft form Hannover and other institutions. The ETN (European textile network) and accompany the textile Forum magazine the project. The exhibition will be from the region of Hannover, the culture Office of the State capital of Hanover and AHA sponsored. In the aftermath of rebellion! The no-good textiles”at opened 18 March exhibition titled body envelopes the craft through the project, which will be accompanied by wide-ren events during the exhibition period. A catalogue to the exhibition. Dates in the context of textour 2011 “Saturday, March 19, from 1: 00 show & tell patchwork meeting, location: workshop hannover e.v. Tuesday, March 22, 2011, 7: 00″is it still rags? On the current significance of a Marxist term”Studio interview with Prof. Dr. Matthias Mohring-Hesse Organizer: third world forum, place: Kunsthalle Faust Thursday, March 24, 2011, 7: 00″ used clothing to Africa: job killer or business miracle? ” Discussion with Friedel Hutz-Adams (Sudwind Institute) and Andreas Voget (fair competition) organiser: third world forum, place: Kunsthalle Faust Friday, 25th March, 2-5 pm, Designfreitag 4, Hannover, Symposium (binding registration required) “Organizer: craft form Hannover and work Academy for design and design in the craft Niedersachsen e.V. place: craft form Hanover Thursday, April 7, 4:30 fabric times differently” textiles in the flood and coastal protection lecture by Dr. ing. Barbel Koppe, aquadot Organizer: third world forum, place: Franzius Institute of Leibniz University Hannover guides in the craft form Hannover: 30 March / April 13, each 16:30 hours: workshop hannover e.V.: Mon Fri 10-13: 00, Mon, Tue, Thu 16-18 pm Kunsthalle Faust: Thu and Fri 16-8: 00, SA and so 2 pm 6 pm craft form Hannover: Tue Fri 11 – 18, sat 11-14 h which was workshop hannover e.v. 1971 founded by artists modeled on the Dutch creativity centres. Here, artists offer courses for adults, socio-cultural (art) carry out projects and organise exhibitions. The workshop and exhibition spaces located in the cultural center Pavilion in Hannover. Kathrin Symens